It's over.
("Thank fuck" say most of you who have been bombarded with updates. I do have two new modules that should be in stock and ready to sell next week, so take that breath of air between blitzes while you can.)
4 projects funded. 15 didn't.
To the people who contributed to Vincent's project, and for the higher levels of Brockie's, give us a few days to ready the procedures to get your PDFs or shirts/posters/tickets to you. Things have been nuts here.
To those two people in for the Collectors hardcover option: I'll take care of you. Give me some time to think of how, but "ha ha, fuck you, you paid $450/$500 for 4 adventures!" is not how this is going to be handled.
The Final Totals (see day-by-day totals
here):
$7545.00 The Seclusium of Orphone by Baker and Sheppard
$7050.00 Broodmother Sky Fortress by Rients and Robertson
$6623.00 Horror Among Thieves by Green
$6601.00 Towers Two by Brockie
$3221.00 We Who Are Lost by Kreider
$1680.00 Of Unknown Provenance by Curtis and Sterns
$1620.00 The Unbegotten Citadel by Cook and Lofgren
$1270.00 The House of Bone and Amber by Crawford Earl Geier
$ 920.00 Machinations of the Space Princess by Desborough and Phoenix
$ 740.00 The Depths of Paranoia by Steen and Rainville
$ 690.00 Strange and Sinister Shores by Bingham
$ 650.00 Normal for Norfolk by Seppälä and Longmore
$ 645.00 Escaping Leviathan by Alfrey
$ 540.00 The Dreaming Plague by Vuorela and Makkonen
$ 500.00 The Land that Exuded Evil by Miller and Aitken
$ 470.00 Red in Beak and Claw by Särkijärvi and Rainville
$ 460.00 Pyre by Pett and Syrigos
$ 350.00 I Hate Myself For What I Must Do by Pohjola and Sammallahti
$ 340.00 Poor Blighters by Sparks and Sparks and Allen
Total Contributions: $41,915.00
How Are You Feeling, Jim?
I'm feeling good. 4 out of 19 isn't so great, but we drew over $11,000 in the final 36 hours so it was a strong finish and we ended up so far ahead of where I thought we would as of Friday.
And the authors themselves can be thanked for that. Rients funded without any gimmicks, but Baker, Green, and Brockie did things that made their projects stand out and here we are. (Cook, Kreider, and Steen did as well, but they didn't catch on for whatever reason.)
What Happened?
There was one key assumption to the whole thing:
Each author's fans would follow them to their adventure here.
Or, "The byline is more important than the brand." That assumption led to:
Those
fans would sufficiently fund a enough projects to a point where people
who wanted a bunch could swoop in with the high-dollar perks to finish
them off and get a big bunch at a discount.
... and the more adventures that were involved, the bigger that discount could be. And the bigger the discount, the more people would go for it!
And that's why there were 19 adventures.
Oops.
Couldn't You Have Gone With Less Adventures?
A smaller number of adventures would not necessarily have been a bigger success. Rients and Baker, the first two to fund, were last-minute replacements. They weren't even supposed to be part of the whole thing! I thought Green would only ever fund as a knock-on effect of a dozen other people funding first.
Basically, my popularity radar is so dysfunctional it's not even funny. (I also thought Isle of the Unknown would be way more popular than the hardcover Carcosa because it was brand new, as another example.) So less adventures up for grabs might have ended up with less appealing writers doing it.
Because honestly, could anyone have predicted Kelvin Green drawing over four times the money Monte Cook did? I can't believe that now. I thought Cook was the shoe-in for "will fund first and fast." I thought I was so fucking brilliant and amazing for getting him on board.
But the paying audience disagreed.
Likewise, I thought Michael Curtis, who has Stonehell and the DUNGEON frickin ALPHABET under his belt, would be the far-and-away OSR leader, especially after Maliszewski and the ACKS crew dropped out. But Rients outdrew him more than 4-1. I'm still trying to figure that one out.
There is the theory that certain people are more likely to get their stuff out there anyway... The thinking: Curtis, for example, always has projects going for publication, so if he has a good idea it'll show up eventually. Rients, on the other hand, hardly ever publishes anything, and not on a professional level, so this might be Our Only Chance to get it!
I would have thought the opposite: "Oh, Curtis and Cook and the other frequently published writers have their own shit to do, no reason they'd do anything like that'd resemble what they'd do for LotFP. Rients could post whatever he wanted whenever he wanted since he's not got a steady stream of RPG work to do."
So maybe it's a good thing I threw a whole lot at the wall to see what would stick, because I'm generally pretty clueless.
Did the Target Amount Need to Be That High On Each Adventure?
No, it didn't need to be. I could have hardballed negotiations with each and every writer and artist and had adventure goals starting from $3500 in some cases.
But if I was going to kickstart (heh) my business by building a catalog on the backs of these people, I was going to make damn sure they were going to be compensated decently for it. These aren't really even top writing rates, just much-better-than-average in RPG-land (or WOW HOLY SHIT for most in OSR land). Brockie and Green are going to get quite decent piles of cash when they turn their adventures in, and Baker/Sheppard and Rients/Robertson will be splitting quite decent piles of cash. And they all deserve their piles.
I suppose a lot more could have succeeded if I'd negotiated shit rates for the talent. But fuck that. Paying people well makes me feel good (and makes the wife think I'm crazy and never going to be able to afford to buy her that mansion :D).
So What Happens to the Unfunded Projects?
I have to say that a lot of people got attached to their projects as the month went on. I got attached to some of them. Some of the authors have their own publishing imprints.
I think, sooner or later, at least a dozen of these things will see the light of day. Not on the original production schedule, and not with the same financial security a funded project would have afforded the creators (and for those that will not be published by LotFP, not half as cool in their presentation - sorry guys)... but I don't think a lot of the authors will leave them alone.
If any of those are released by LotFP down the line, Gardening Society members will get double their usual discount.
Any Other Questions?
Ask in the comments, on the LotFP message board, G+, or wherever. People were watching how this whole thing would do, and I think there were lessons to learn.
I'm glad I did this.
You've done your part. Now it's time to get our noses down and get all our shit done.
LotFP Crowdfunding Will Return in 2013 for the
FUND A HUGE "FREE RPG DAY" PRINT RUN FOR LOTFP
campaign.
